Rachel Thompson

Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Hank Quense on Developing His Writing & Self-Publishing @Hanque99 #SelfPub #AmWriting #Fantasy


Have you always enjoyed writing?
I can recall writing short, satiric cartoon stories as a junior in high school. I’d send them around the classroom to my friends who would get in trouble because laughing in class is frowned upon in a Jesuit prep school.

Who is your favorite author?
In fantasy/scifi, Tom Holt, Terry Pratchett, Chris Moore and Douglas Adams. In historical fiction, Bernard Cornwall.

What book genre do you adore?
Satiric or humorous scifi and fantasy. There just isn’t enough of it. I’m attempting to fill the humor and satire gap with my fiction

What book should everyone read at least once?
Catch 22. It’s the greatest work of satire I ever read.

How did you develop your writing?
My stories always start with a character. Then I give the character a plot problem. That's as far as I go until I can figure out the story ending. Once I get the ending, I have to build a path between the beginning and end. After that the story is essentially finished, I just have to develop the characters, the setting and the scenes. Then it's time to write the first draft.

What is hardest—getting published, writing or marketing?
Writing is the easiest. Prepping a manuscript for publication is mostly boring. Marketing is frustrating and often expensive. Being successful is the hardest part of the entire process.

Do you plan to publish more books?

Yes. Moxie’s Problem isn’t the end of Moxie’s journey to become an independent woman in charge of own destiny. I’m writing the conclusion of Moxie’s development. The working title is Moxie’s Decision.

If you could live anywhere in the world, where would it be?
Tough question. Rome would be at the top of the list followed by a tie between Paris and Barcelona. Or maybe Quebec City (at least in the summer)

Is it vital to get exposure and target the right readers for your writing?
Exposure is a vital element of a marketing plan, especially for a self-published book. Random exposure however doesn't do much. The exposure has to be targeted to the people who will be interested in your book. If you wrote a romance novel then targeting folks who read gun magazines is futile.

Tell us about your new book What is it about and why did you write it?
Here is the book blurb: Moxie's Problem is a coming-of-age story unlike others in this genre. Moxie is an obnoxious, teen-age princess who has never been outside her father’s castle. Until now. She finds the real world is quite different from castle life and she struggles to come to grips with reality. Moxie knows she has to get a life, but doesn’t know how to go about it.The story takes place against the backdrop of Camelot. But, it isn’t the Camelot of legends. It’s Camelot in a parallel universe, so all bets are off!

As to why I wrote it, I’ve loved the Moxie character for quite a while. I wrote a short story with her as the many character over ten years ago. I couldn’t sell because Moxie is a terrible main character in a short story. She doesn’t have room to grow and to learn important lessons. I’ve been determined to tell her story for some time now and I finally got this project under way and the end is in sighs.

Moxie's Problem 
Do you enjoy untypical coming-of-age stories? Well, you won’t find one more untypical that Moxie’s Problem. Moxie is an obnoxious, teen-age princess who has never been outsider her father’s castle. Until now. The real world is quite different and she struggles to come to grips with reality. The story take space against a backdrop of Camelot. But it isn’t the Camelot of legends. It’s Camelot in a parallel universe. So, all bets are off!

Buy Now @ Amazon & Smashwords
Genre – Fantasy, Sci-fi
Rating – G
More details about the author
Connect with Hank Quense through Facebook & Twitter

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#Excerpt from Lights Over Emerald Creek by @ShelleyDavidow AmReading #YA #SciFi

To Walk Again

The music she’d been playing became an echo of woven sound. She could no longer see her cello.

Lucy was above the hills, the sea, the melting mountains that all dissolved into watercolour; a thrilling terror suffused her as she continued upward through liquid light.

A roar like a distant rumble of thunder or the crashing of waves filled her ears. Broken shards of reality tumbled past her as she spiralled into a rapidly darkening vortex. She held her breath and closed her eyes, and thought, am I dying? Dead?

Hard drops of rain peppered her head, her face, her neck.

Only, when she reached to wipe her cheek, it wasn’t wet. Lucy opened her eyes. Light dazzled her. Blinded her. Around her, danced a billion droplets of pure light. They were electric as they touched her skin. She got up on her hands and knees.

And knees!

Her cello bow lay beneath her. She could feel something softly pressing against her knees. Her hair fell in front of her face. Slowly, carefully, she flicked it back over her shoulder, and looked up as the light stopped showering her, and slowly receded, like a sparkler dying out, until it was a blue glow high above her.

‘Holy — holy crap! What the hell?’ she whispered, not usually prone to swearing, still on her hands and knees. Then, carefully, as if in a trance, one leg at a time, she stood up. She stared at a twilight lit, pink horizon. It was misty, or rainy, but she couldn’t feel anything on her skin. Something soft squished between her toes. Sand? She looked down at her legs. They were standing. Her toes were feeling something. She held onto her legs, touched them, felt them. This could be a lucid dream, she thought.

She looked around at an unfamiliar landscape.

Or a seascape.

Or a mistscape. It was hard to tell.

The sand beneath her feet was the colour of coral. A few paces ahead, she saw a still, soft, pink ocean. Far out across the ocean, the water dissolved into sky, or cloud. When she looked behind her, two enormous blue lights glowed in the sky, and then slowly turned to purple, to magenta, to pink, and became one with the atmosphere.

Lucy stood on tiptoes. She took the bow in her right hand and placed it down at her feet. She felt very strange, as if she wasn’t quite in her body. She could feel things, but she was light, and when she took a step, it was almost as if she floated. A sudden, unexpected surge of joy rushed through her. If this was some kind of dream, she loved it. She could walk. No, she could run! If she could have this one experience, this one single moment of feeling whole, she would give everything. She ran, tripping over her own feet, towards the shore. Her toes touched ground, but barely.

LightsOverEmeraldCreek

Lucy Wright, sixteen and a paraplegic after a recent car accident that took her mother's life, lives in Queensland on a 10,000 acre farm with her father. When Lucy investigates strange lights over the creek at the bottom of the property, she discovers a mystery that links the lights to the science of cymatics and Scotland’s ancient Rosslyn Chapel.

But beyond the chapel is an even larger mystery. One that links the music the chapel contains to Norway’s mysterious Hessdalen lights, and beyond that to Saturn and to the stars. Lucy’s discoveries catapult her into a parallel universe connected to our own by means of resonance and sound, where a newly emerging world trembles on the edge of disaster. As realities divide, her mission in this new world is revealed and she finds herself part of a love story that will span the galaxy.

Buy Now @ Amazon
Genre - Young Adult SF
Rating - PG
More details about the author
Connect with Shelley Davidow on Facebook & Twitter

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First Blood Drawn in THE REALITY MASTER (Vol.1) by @PMPillon #Fantasy #YA #SciFi

FIRST BLOOD DRAWN

The next day at Mr. Sheridan’s class Joey assured Frank that he felt somewhat better, so he would follow through with a plan they had made in the car on the way back from Big Sur, to go to the skateboard park near Frank’s house and practice tricks. Joey didn’t ride his skateboard around because he preferred his bike; he just wanted to learn competitive tricks at the park so he kept his board at Frank’s house. Both of them had only three weeks of experience since they bought their skateboards new at their local mall. Joey rode his bike to Frank’s after school but as soon as he entered Frank’s room. 

Frank’s mom heard Joey’s voice and called out, “Frankie dear, could you straighten out your room a little bit before you go out?”

“Okay mom, I’ll do it right now, then we gotta go.”

Joey saw that he was stuck hanging around for however long it took for Frank to comply with his mother’s wishes so he wandered down the hall to Freddie’s room where Freddie was sitting at his computer as usual. Freddie’s back was to Joey, so he entered stealthily and pulled up a cloth covering a dry erase board next to the door to peek at what was written or drawn on it. Freddie kept the board covered so his room would look more like a normal kid’s room rather than the habitat of a total academic egghead. Written with a marker were long were long chicken scratch formulas with symbols of all sorts – lots of x’s and y’s along with an alphabet soup of other characters and only one distinct equation:

g = R (π X rpm)2
____30____
9.81

“Hey, Freddie, what’s up?” Joey asked, turning away from the board towards Freddie. He walked forward and plopped himself down on the bed, which was adjacent to the computer chair where Freddie was sitting.

“Oh yeah, everything is cool. Hey, do you know about the nano world?”

“You mean small, right?”    

“Yeah, super small, subatomic. Our laws of physics don’t apply to that world.”

“You mean like the speed of light, gravity, stuff like that.”

“Right. For all we know, there could be different realities in the nano world, black holes containing other universes – phenomena we can’t even imagine. Some cosmologists even say that there may be trillions of Big Bangs just like the one that started our universe happening every second and creating universes like ours or even exact duplicates of ours.” 

The thought occurred to Joey of showing Freddie the very strange object that was in his back pocket, but he decided it would be premature. Freddie was a genius, so he might know or could maybe figure out what this stone really was. But Joey decided he would show it to him later after examining it himself; he hadn’t really done this in spite of what had already happened with it, just nonchalantly carried it around in his bag or pocket; Joey was nonplussed about the stone, simply hoping no more strange events would occur. 

All of these thoughts came to him in a blink of any eye, quickly enough for him to set them aside for the moment and ask Freddie, “So, what are you going to do about it?”

“Well, I can’t actually do much about it, but scientists are finding out more about it by doing experiments with supercolliders. For instance, in our macro world, everything can only be in one place at one time, but in the nano world a particle can be in two places at the same time. As you can see on my screen, I’m trying to depict a subatomic particle arriving at two places at once, but I’m not good at this 3D software. You know how to do 3D?”

“Not really, but I can make a 3D screen saver.”

“That’s actually pretty good, but not enough for what I’m trying to do. Hey Joey, are you into cosmology? Do you know different adjectives for describing the cosmos or the universe? How about inexorable, which means like, not possible to challenge, and immutable, for unchanging, and what else?“

”How about UnBigWordAble, which means there’s no word that’s big enough to be able to describe it.” 



His celestial companion was waiting for him
Precariously climbing a sea-side cliff near Big Sur, ten-year-old Joey Blake was as yet unaware that near his grasp was an object, so odd, mysterious and alien to earth that it would change his life forever and the lives of countless others in the next few astonishing days. Reaching up as far as he could for a handhold it was just there; it had subconsciously lured him, occupied his mind, and made him find it. It was like he was meant to see and discover this object of unimaginable power … the power to change reality.
Time travel and more
This young adult series of sci-fi fantasy novels begins with The Reality Master and continues through four other exciting and amazing stories about time travel and mysterious alien devices. Joey and the reader will face dangerous shadowy criminal organizations, agents of the NSA, bizarre travelers from other times and even renegade California bikers and scar-faced walking dead.
- Vol 1 The Reality Master
- Vol 2 Threat To The World
- Vol 3 Travel Beyond
- Vol 4 Missions Through Time
- Vol 5 The Return Home
Buy Now @ Amazon
Genre – Science fiction, Fantasy, Young adult
Rating – G
More details about the author
Connect with PM Pillon on Facebook & Twitter

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ENEMY OF MAN (Chronicles of Kin Roland) by @ScottMoonWriter #SciFi #Fiction #AmReading

CHAPTER ONE
HEROES weren’t sealed in space caskets and launched into the void—not while they were still breathing. Kin shuddered. Memories came at night; they came with regrets, fears, and nightmares only a man buried alive could understand. Heroes destroyed the enemy. Heroes saved the day and died before they could wear medals or explain what it was like to shed the blood of millions.
This room is too dark.
Kin needed to go outside and look at the sky, but the wormhole song, the distant groaning of a universe unraveling, reminded him of Hellsbreach—gunfire, plasma bolts, and nuclear explosions on the horizon. Better to dream of Becca, though she was the reason he volunteered for the campaign.
“Stop thinking of her,” Laura said.
Kin sat up in bed, dropped his feet to the floor, and watched her drift back to sleep. Her chest rose and fell, a silk sheet accentuating her curves. Her eyes began to move under her eyelids.
“You don’t even know who she is.” He ran a finger behind Laura’s ear and down her neck until she giggled in her sleep. He smiled. “I can share anything with you in moments like these.” He slowly pulled the sheet lower and she didn’t stir.
Laura would like the game—exposing her skin to the night air and staring until she sensed his attention and awoke, but he stopped, reaching to cup the side of her face instead. Lust didn’t mix well with the darkness still in his mind.
“I’d fail again, given the same choice. Could you commit genocide, Laura?” he asked.
“Hmm?” She struggled to open her eyes, it seemed, but pushed him clumsily away with one hand as she rolled onto her stomach, twisting the sheets as she moved.
“I still love her. You know that, right?” Kin said.
Motionless on the bed, Laura seemed not to breathe. The wormhole that dipped into the atmosphere quieted. Silence spread across the planet. Sea birds called to each other and waves gently touched the beach.
Kin pulled on his pants and gun belt, then picked up his boots and go-bag as he crossed the room. Outside, he pressed an ampoule of caffeine against his neck and injected it. Sleep wasn’t a friend. The intramuscular dose was meant to be injected in the gluteus maximus, otherwise known as the place Laura hung on for dear life when they were together, but Kin didn’t want to ruin the feel of her hands by sticking his ass cheek with a needle.
He watched the sky as he did upon awakening morning, noon, or night, hating the way the wormhole that dumped them on the uncharted planet seemed alive and sentient. Lightning flashed through the undulating red, orange, and purple tube of light as it climbed lazily toward the ring of moons around the planet. The moons, by contrast, soothed his spirit when he could stop thinking about the gaping mouth of the wormhole. They climbed vertically from the horizon like the underside of an arch, brilliant at night and hazy during the day.
Kin steadied his breathing, forcing his shoulders to relax as he studied the anomaly.
The Goliath came through that hole. The enormous exploration vessel had been designed to orbit a planet and send down shuttles, not descend to the surface. No one planned for the uncharted wormhole to catch the ship and drop it inside the atmosphere. Much of the ship broke apart and scattered along the coast. The survivors existed between the sea and the impact site of the main fuselage.
Each year, sand covered the available salvage, making building materials scarce. The thought of leading another scavenger mission bored Kin, though he knew the children looked forward to crawling into holes the adults couldn’t reach. He rubbed his neck and decided he was done with caffeine injections for a while.
Kin had grown more sensitive to his surroundings since the deadly campaign on Hellsbreach. He heard Laura roll out of bed, though the heavy curtains were drawn over the doorway and she was trying to be stealthy. The floor creaked and Kin guessed she paused to scoop her pants and shirt off the floor. He didn’t hear her tug zippers or take the time to fasten buttons. Their relationship wasn’t that formal.
The ocean breeze and crashing waves soothed his mind, but didn’t mask the sounds Laura made. To Kin, there were simply more sounds, distinct and easily identifiable. She would have been smarter to move when the surf broke, but he still would have heard her. Auditory discrimination was why he hadn’t been slaughtered by Reapers on Hellsbreach. They could sound like men, or wolves, or stalking tigers, but beneath the obvious sounds there was always a clicking in their throats.
Laura moved closer to the doorway but stopped, probably listening for him. He measured the pause and assumed she was peeking through the curtain. She wasn’t incompetent at stealth, but he knew her game.
She moved behind him, wrapping her arms around his trim waist and pressing her body against his. She gripped him hard with no pretense of romance. Perhaps she heard what he said about being in love with Becca. She pretended she wasn’t jealous, but she was. She bit his ear. He continued to lean on the rail, ocean breeze blowing on his face, solid wood under his feet. She bit his neck. He smiled. The bite hurt, but he pretended it didn’t.
“You put your pants on,” she said. “Did I tell you to get dressed and sneak out of my bed?”
“I would hate for the Fleet to send a rescue mission and find me out of uniform.”
“If the Fleet comes to Crashdown, I’ll tell them about you,” she said. Her lips brushed his ear as she spoke and she lingered with a kiss even as one hand went into the front of his pants. Kin smiled and shook his head minutely.
“Crashdown is a good name for this place.” He thought the planet was huge and extremely dense, because the gravity was heavy and the ocean horizon to the west was flat as a blade.
“Do you think I’m joking?” she asked.
Kin didn’t answer. He wished she wouldn’t try to provoke him. He had killed for less. She enjoyed rough sex, danger, and power. Kin was bored with two of the three. She released him, patting his ass before she walked away.  He knew she kept them all alive. She was a force of nature. He needed to meet a nice girl, someone like Becca.
The wormhole convulsed. Kin let go of the rail and stood straight. His hand went to the pistol hanging on his leg. Objects burst from the hazy opening high in the atmosphere. Most ships that crashed on this huge planet came alone—pioneers, explorers, or pilgrims fleeing persecution. Meteors were more common, but during the last three days, a variety of space junk and wreckage had splashed into the ocean and smashed against the mountains east of Crater Town. Somewhere in the universe, an epic battle raged and the debris drifted through the wormhole.
Pacing, Kin watched the sky until the wormhole began to puke earnestly. Small pops sounded in the distance, but he suspected they were explosive thunderclaps.
Damn.
Objects burst into the air close together, sounding like the chatter of machine gun fire. Pop-pop-pop. Pop-pop. Pop-pop-pop-pop-pop.
That’s a planetary assault force.
Each cluster of fast-moving smoke trails were troopers in Fleet Single Person Assault Armor units. He had worn an FSPAA unit during his enlistment and recognized the formation. Several larger objects followed, flanked by more troopers in airborne assault mode.
Laura emerged from the doorway, paused to stare at the sky, and hastily buttoned up her shirt. “I’m going to the meeting hall.”
“Go to a bunker,” Kin said, but she was already running.
“Damn!” Kin estimated a division of Fleet troopers were plummeting toward Crater Town. He jumped off the side of the deck and ran to the lighthouse, sprinting up the spiral staircase. When he reached the top, he doused the light and picked up a horn.
A large ship emerged from the mouth of the wormhole, bow elevated twenty degrees too high and drifting sideways. The ship was still under power, laboriously righting itself as the atmosphere burned it. Kin watched pieces break off. He didn’t recognize the ship’s class or if it were built for entry into the atmosphere, but it was shaped like a Fleet vessel.
An armada of broken ships, huge things never meant to enter the atmosphere even if in one piece, were the last through. Kin sounded the alarm. Horns answered from every corner of Crater Town. Men, women, and children rushed from their homes with survival kits. He saw many running to the well to form a bucket line and parents rushing their children to crude fallout bunkers.
Two companies of assault troopers splashed into the water off shore. Two additional companies veered right while another two veered left of Crater Town as flanking elements. Four came straight at him. The command ship and heavy vehicles—Tanks, Strykers, and reconnaissance vehicles—fought for altitude. They soared over the town, landing near the Goliath half buried in the sand between the coast and mountains.
Kin picked up binoculars from the railing and tracked the progress of each assault force and the efforts of Crater Town’s people. About the time young men surrendered to Fleet troopers in seven-foot-tall armor, the space debris hit. The noise of the plummeting ship parts had been minimal from a distance, but as they neared, they ripped through the air, vibrating the tower where Kin stood. Troopers and townspeople ran for shelters, threw themselves on the ground, or gaped at the destruction. Earth exploded. Water erupted into steaming clouds of death. Fires rampaged like demons.
Kin risked a final glance toward the wormhole before descending the tower.
That’s not a Fleet ship.
He jerked the binoculars up.
No military emblems. No weapons. And it’s shaped like a blockade runner. 
He watched the small craft drift away from the others, seeming to sneak free of the chaos. Kin didn’t like the feeling in his gut. Dread hollowed him out. He thought of Reapers and stolen technology.
The faster Fleet vessels and plummeting debris posed the immediate threat. Kin knew it. He needed to ignore the small civilian ship, but understood Reapers hijacked anything that would take them from their home world. The creatures didn’t build ships and were notoriously bad pilots, but when they left Hellsbreach, they were on a mission of murder.
Kin forced his gaze toward the ships and troops already on the ground.
Don’t think of Reapers. Don’t think of Hellsbreach. Captivity. Death. I should have died. Kin steadied his breathing, unsure if it calmed him or merely suffocated his panic. Should have killed them all.
Sweat beaded on his forehead. He waited for Fleet ships to spot the stranger and destroy it, but nothing happened. The craft disappeared beyond the mountain pass. He wanted to go after it, but Crater Town took priority.
He left the tower and ran down the unpaved street twisting around ramshackle huts near the bay. Laura hurried from a building up the street, wearing a firefighting coat. She paused to tie up her hair, then pulled on heavy gloves. People carrying tools rushed from their shelters to follow her. She accosted a group of men held at gunpoint by Fleet troopers and ordered them to follow her.
The squad leader pointed at Laura and gave an order. Get back. This is Fleet business.
Laura elevated her chin and put both hands on her hips. She said something. I’m sleeping with Kin Roland, a murdering deserter and traitor to the Fleet. He’ll cut your balls off if I even nod your direction. Fleet business my ass. This is my business. These are my people. Kindly mind your manners, you faceless killer.
The Fleet trooper spread his hands in frustration and surprise. He yelled and thrust his gauntleted finger near her face. Listen you stupid bitch. You’re lucky I don’t blow your head off.
Kin couldn’t hear the conversation, but he could imagine it. He wasn’t surprised when the troopers released the people of Crater Town to Laura. The guards followed, seeming a bit dazed.
What the fuck just happen?
Don’t ask me. You’re the squad leader. Take charge.
I’ll take charge of your face with my boot. Stay sharp. Watch the work crew. I’ll watch the councilwoman.
Kin ran up the steep hill, knowing planetary assault forces demanded immediate compliance when they made planetfall. They were paid to shoot people. He feared Laura would push too hard. Inflexible and harsh standard operating procedures placed the interests of the Fleet before the welfare of local populations. He needed to warn her about what happened when people resisted. She won this scrimmage and freed her work crew, but needed to consider a softer touch when dealing with officers.
Then he realized she had a trump card. He believed he knew Laura. He believed she had been toying with him when she said she would expose him to the Fleet. Being wrong would cost him his life.
“You there, halt and identify,” a Fleet trooper shouted. His amplified voice echoed from the helmet speaker. He held a rifle and a plasma thrower, each connected to the armor by woven metal tubes. Kin ignored the trooper, who moved forward, weapons ready.
He slipped around the corner and ducked through a cloud of smoke, then circled the area until he was behind the trooper who continued in the wrong direction.
“Identify yourself,” Kin said, under his breath. 

Lost Hero

Changed by captivity and torture, hunted by the Reapers of Hellsbreach and wanted by Earth Fleet, Kin Roland hides on a lost planet near an unstable wormhole.

When a distant space battle propels a ravaged Earth Fleet Armada through the same wormhole, a Reaper follows, hunting for the man who burned his home world. Kin fights to save a mysterious native of Crashdown from the Reaper and learns there are worse things in the galaxy than the nightmare hunting him. The end is coming and he is about to pay for a sin that will change the galaxy forever. 

Books

Enemy of Man: Book One in the Chronicles of Kin Roland was written for fans of military science fiction and science fiction adventure. Readers who enjoyed Starship Troopers or Space Marines will appreciate this genre variation. Powered armor only gets a soldier so far. Battlefield experience, guts, and loyal friends make Armageddon fun. 

Movies

If you love movies like Aliens, Predator, The Chronicles of Riddick, or Serenity, then you might find the heroes and creatures in Enemy of Man dangerous, determined, and ready to risk it all. It’s all about action and suspense, with a dash of romance—or perhaps flash romance. 

From the Author

Thanks for your interest in my novel, Enemy of Man. I hope you chose to read the book and enjoy every page. 

If you have already read Enemy of Man, how was it? Reviews are appreciated! 

Have a great day and be safe.
Buy Now @ Amazon
Genre – Science Fiction
Rating – R
More details about the author
 Connect with Scott Moon on Facebook & Twitter

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Writing Ideas from H. Peter Alesso #AmWriting #WriteTip #SciFi

Thank you for allowing me to discuss some of my ideas about writing in relationship to my book, Midshipman Henry Gallant In Space.

I love words.

That wasn’t always been the case. My first infatuation was with numbers, in all its manifold forms from algebra to topology. However, with maturity came insight into the elegance and efficacy of words for expression beyond algorithms.

Words elucidate the ideas of great thinkers and leaders from Aristotle to Lincoln.  Consider the brief collage, “All men are created equal?” Can you doubt the inspiration of these words? Words shroud us with the emotions of others and bring nature’s kaleidoscopic scenery into view. They let us share experiences both past and present.

Our past is a tapestry, rich with dramatic experiences. Our thoughts and memories are arranged around such experiences. As memories bring the past flowing into the present, we gather words into stories that capture the drama and excitement of real and imaginary events. As such, they help us understand our place in the world.

In 1949, Joseph Campbell wrote The Hero with a Thousand Faces, and argued that myths, spanning all time and all cultures, contain the same basic elements, or ‘archetypes.’

Campbell thought that stories formed a grand pattern he called the ‘hero’s journey.’ The journey begins with the hero hearing a plea for help. When he finally responds, he crosses a threshold into a new realm where he faces great challenges and matures under the tutelage of a mentor. Finally, he becomes the master; committed to changing the world. This story archetype has thrived from the Odyssey, to Star Wars.

The ‘hero’s journey’ is a theater of human behavior; anecdotal but illuminating. In Midshipman Henry Gallant, I present a young man’s heroic journey. He doesn’t travel it along. He has friends, mentors, rivals, and enemies, and one more essential element, romance.

There is beauty in expressing your thoughts. Find your words. Tell your story.

Regards,
H. Peter Alesso
www.hpeteralesso.com

midshipman
Buy Now @ Amazon and Smashwords
Genre – Science Fiction
Rating – G
More details about the author and the book
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Cerece Rennie Murphy's Tips for Having Fun Giving an On-the-Spot #Interview @CereceRMurphy

How to have fun giving an On-the-Spot Interview

Unlike most public speaking opportunities, I actually look forward to interviews.  Whether they are in-person, on camera, radio or via an emailed list of questions, I always feel like I know how to prepare and just what to do because an interview is about the one thing you know best – you.  You might not be able to list significant developments in the Middle East Crisis or come up with a succinct definition of “irony” on the spot, but you are an expert in you and your work and that’s all an interview is really about.   So here are some thoughts I have on how to approach an interview with anticipation instead of dread.  You might even have a little fun in the process.

1)     Ask yourself what you would want to know.  Look at the body of work that the people interviewing you will be familiar with.  Are there any interesting connections, inconsistencies or curious departures that, if you were a stranger, you’d want to know more about?  Practice putting your thoughts together on how to describe, explain or clarify your unique journey. 

I wouldn’t recommend memorizing anything here, because if you get nervous and you can’t find “the word” that’s supposed to come next, you might convince yourself that you’re lost when you’re not.  You can never be lost in an interview because you have the ultimate home court advantage – you know you better than anyone else.  You just want to have thought about the questions they might ask long enough for your to identify the themes and patterns that are important to you so that you can recall them with more ease when you need to.

2)     Don’t be afraid to give an answer they don’t like.  A really good interviewer wants to get to know you.  The right answer is the one you give.  It may not be what they are looking for, but that doesn’t mean it is wrong.  I’ll never forget one of the last job interviews I had. One of the interviewers asked me what I would do if I disagreed with my supervisor.  I told her that I would voice my opinion and then leave it up to the supervisor to decide. 

She didn’t like that.  I could see it right away, but it was the truth and if she couldn’t handle that then I probably wasn’t the right fit for her or the organization.  It’s tough to do this when your livelihood is on the line.  You have to decide what are the things you can compromise on and what are the things you just can’t and stand as firm as you can for as long as you can, otherwise, it will come back to bite you in the butt.

3)     Don’t be afraid of what you don’t know.  Expect the question you didn’t prepare for.  Be surprised. It’s ok.  The trick is not in the fact that you didn’t know they were going to ask that question.  That’s obvious, unless you are clairvoyant.  The trick is in how you handle the surprise and answer the question anyway.   Talk about what you do know on the subject, or why your attention has been focused on X thing that is more important to you/relevant to what you are doing, or how you would find out about X thing and what you think are the most pressing questions to be answered.  A surprise is your chance to surprise them right back. 

At a recent convention, I was pitching my book to an attendee (which is a mini-interview in itself) and in mid-pitch she cut me off and told me that my book sounded like another book by a British author.  What do you say to that?  Since I didn’t know what she was talking about, I asked her if she could remember the title and tell me a little bit about the storyline.  I could tell she was taken aback.  Her comment was meant to disarm me, but instead I was curious. 

She wasn’t expecting that.  Suddenly, she became flustered, “I don’t really know,” she said sheepishly then grabbed a bookmark off my table.  “Does this have all the information on your books,” she asked. “Yes,” I replied.  “You can read the first chapter of the first book for free on my website.” Another surprised look came across her face, “Ok,” she offered, looking me in the eye for the first time during our interaction.  “I’ll check it out,” she said finally before walking away.  Maybe she will, maybe she won’t, but the point is, I wasn’t afraid, either way.

4)     And last, but not least, breathe and smile. I always feel honored whenever someone wants to know my opinion on anything.  Take it as a sign that you’ve got something that someone thinks is worth sharing – so share it.  You’ll feel better for it and you just might help someone else along the way.

Order of the Seers

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Genre – Science Fiction
Rating – NC-17
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Connect with Cerece Rennie Murphy on Facebook & Twitter

Quality Reads UK Book Club Disclosure: Author interview / guest post has been submitted by the author and previously used on other sites.

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Massimo Marino Says Easy Does It @Massim0Marin0 #SciFi #AmWriting #WriteTip

Easy Does It 

For Hemingway, the secret to effective writing was to forget about the flowery prose of the literati and keep your writing simple, short, and clear. When he went to work for the Kansas City Star in 1917 he was given four rules for effective writing, and he stuck with them his whole life. Here they are:

1. Use short sentences. 2. Use short first paragraphs. 3. Use vigorous English. 4. Be positive, not negative.

If you add to these suggestion, the Elements of Style mantra, “cull the unnecessary words”, you are bound to write in a more effective, more gripping English.

Vigorous English is also what other writers mean when they say avoid passive sentences: have your subjects prominent and perform the actions rather than showing the objects enduring the actions by some obscured subject. Easy? Look for how many times you use construct that say ‘something was <acted upon> by <a poor weak subject> and you’ll see what weak is and reverse the phrase to show a strong acting subject.

Enter now Elmore Leonard. In his “Elmore Leonard’s 10 Rules of Writing

Leonard suggests that writers:

  1. Never open a book with the weather.
  2. Avoid prologues.
  3. Never use a verb other than “said” to carry dialogue.
  4. Never use an adverb to modify the verb “said.”
  5. Keep your exclamation points under control.
  6. Never use the words “suddenly” or “all hell broke loose.”
  7. Use regional dialect, patois, sparingly.
  8. Avoid detailed descriptions of characters.
  9. Same for places and things.
  10. Leave out the parts readers tend to skip.
Of course rules are to be known so that the writer that has a precise scope and violates them, he does it without falling into a trap, but circumventing rules for the right effect. Rules 3 and 4, when violated, are the mark of the amateur, or so say editors and agents; the seemingly nice “she said softly, he replied sternly, she asked angrily” and so on. Avoid them at all costs. Rule 6 is the obvious don’t use clichés, you’re a writer after all. It makes it so… sloppy writing.

Rule 8 is something that comes natural to me. I only sketches my characters, sometimes giving a trait here or there but never fill a paragraph describing the look and dresses in detail. You’re writing a novel, not a fashion magazine article. And 9, same for place and things. Leave room for readers’ imagination, they will become part of the story that will grow and take life in their mind. Rule 10 is golden but difficult. Which are the parts that readers skim? the boring ones. Your editor will point them to you and tell “this scene doesn’t advance the story!” That is, either it is there, or not, the story is unchanged, and if too long you risk to loose your readers. I sometimes err into failing with Rule 10, but my editor saves my derriere with his demonic skills.

Another author you might have encountered is Kurt Vonnegut.

In the preface to his short story collection Bagombo Snuff Box: Uncollected Short Fiction, he gives us eight basics of what he calls Creative Writing 101. They are:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things—reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Rule 5, remember he’s talking short stories  On 6, I sometimes ask my characters where they do NOT want to go, for fear terrible things to happen to them, explore all the bad turns and twists, promising I’ll never force them there, then the next scene takes place in that horrid (for them) place. You’re god, but have no mercy. Rule 7., it can be your wife, as for Stephen King, or yourself seen as a reader. It matches the “write the story you’d like to read.” Of course, you can do that only if you’ve read a lot yourself before writing, otherwise there is little to invent or innovate there  Number 8, I think Kurt is once again talking to shorts. I am on the fence there… as soon as possible? How soon is it, and can it be too soon? Tough call. For readers to have complete understanding so that they can skip the last pages? Uhmm, I’m not there (yet?) with you in that, Kurt.

And you, do you have your own rules, do these ones resonate with you? I avoid like the black plague the use of -ly words and other adverbs in anything that is not dialogue. To me they undermine the “Show, Do not Tell”. What does your experience tell you?

Thanks for reading.

http://www.orangeberrybooktours.com/wp-content/uploads/2013/10/Once-Humans.jpg
Buy Now @ Amazon & Smashwords
Genre – Science Fiction
Rating – PG-13
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#Author Anne-Rae Vasquez Sheds Some Light on Young Adult vs. New Adult @write2film #amongus

Can a book be labeled as Young Adult & New Adult?

I received an honest review for my latest book Doubt, which focused on the point that the reader expected a more mature storyline and questioned why my book Doubt was categorized in the New Adult category.
It made us here at Truth Seekers’ headquarters stop and think…
  • Doubt’s main characters are former child prodigies, geeks who socialized mainly online.
  • Cristal and Harry are 22 years old, just graduated from university with their PhDs
  • They have never had a “boyfriend”, “girlfriend” relationship before.
  • Emotionally they are more like young adults.  Virgins, with little or no experience physically with anyone.
  • Doubt can appeal to young adults because the content is clean and safe. No sex scenes, no swearing (just implied swearing with censored out letters)
  • Does New Adult require the book to have “sexual scenes”?

What qualifies as New Adult?

See an excerpt from J. Sterling’s interesting article What Does New Adult Mean to You?
“I classify my books as New Adult when the main characters are either college aged, or in their early 20′s. The story may not necessarily appeal to the true YA audience because the characters are doing things they can’t relate to yet (interning, working full time, living with their bf’s, etc). It’s about a period of time in our lives when we’re not necessarily sure where we’re headed. We’re still figuring things out. It’s that in-between stage between high school and true adulthood. We’ve all been there.
Now my characters in In Dreams are in college, but I wrote that book in a younger voice, with no sex, very little swearing, etc. I classify it as YA because it reads as YA, even though the characters are no longer in high school. I felt like the situations the characters go through was appealing enough to a younger audience that they wouldn’t feel like they couldn’t relate.
I honestly think that if your main characters are in high school, then your book is Young Adult. At least that’s what i’ve always just assumed as a reader. Young Adult = high school aged stories. No matter if they’re having sex, swearing, doing drugs, etc-  high school kids have sex, swear, do drugs, etc.
But I’ve seen some high school aged books being called New Adult. So i’m wondering, are we classifying that category based on subject matter of the book, the way the book is written, or the age of the characters?!” The content is an excerpt from What Does New Adult Mean to You? article on J. Sterling’s blog.

Feedback and Comments from the article

The interesting feedback makes us more confused than ever.
Here are some comments that J. Sterling’s followers posted about her article…
I see New Adult as a mixture of both content and where the characters are in life. While these days, high school kids shouldn’t be shocked by cursing and sex in books, I think their parents do. I don’t know, I prefer the “older” context and content personally, and more often than not seek out something that says New Adult over Young Adult.
Yes, if I’m starting a New Adult book I assume that the characters will be at least in college or in their 20′s. And I also assume there will be sex. If I’m reading a book with high schoolers, and they are having sex, doing drugs, etc., I would assume it be called Mature Young Adult. I would say I could be wrong, but let’s face it, that’d be silly. Because if I am wrong, then the rating system needs to change so that I am right. Ha! Otherwise it’s way too confusing.
It’s a little contradictory for me, because I am a young adult in university, and yet I do not find myself drawn to “young adult” novels, because I always thought that they were fluffy stories that stayed away from the idea of sex or anything sexual related and language. Something too lovely-dovey that I would not be able to relate to or stomach when reading. But was my mind changed after reading “Game Changer”. I enjoyed the storyline, and given the young adult theme attached to the book, it was the right amount of sex, and language and it was a relatable story.
With that said, “young adult” for me deals with young adults, between the ages of 16 to 18. Young adult novels if applicable can have sexual scenes but nothing to the degree of erotica, because that is in a category of it’s own. But I think that there are different degrees of young adult novels, considering Twilight was considered in this category, it does cause conflict and misunderstanding. That is why there should be a difference between young adult that deals with novels between the ages of 16 to 18, and young adult for over the ages of 18 dealing with more mature subjects and content and then the full out erotica. At that point can it be said that its’ young adult NC17 while warning the reader that the subject matter might not be applicable to a certain reader?
Read the full article at: What Does New Adult Mean to You?
Your thoughts?  Please comment below. We really want to know how you feel about these two genres.
DoubtAmongUs
Do you love shows like J.J. Abrams' Fringe and read books like Cassandra Clare's City of Bones?
"Doubt" mashes fringe science, corporate espionage and paranormal encounters to catapult you into an out-of-this-world experience.
At 21 years old, Harry and Cristal are fresh out of university with their PhD's. Labeled all their lives as being 'weird' and 'geeky', they find true friendships with other outcasts by playing online virtual reality games.
Harry Doubt, a genius programmer and creator of the popular online game 'Truth Seekers', has a personal mission of his own; to find his mother who went mysteriously missing while volunteering on a peacekeeping mission in Palestine. His gaming friends and followers inadvertently join in helping him find her; believing that they are on missions to find out what has happened to their own missing loved ones. During Harry's missions, Cristal and the team of 'Truth Seekers' stumble upon things that make them doubt the reality of their own lives. As they get closer to the truth, they realize that there are spiritual forces among them both good and evil, but in learning this, they activate a chain of events that start the beginning of the 'end of the world' as they know it.
Doubt is Book 1 of the Among Us Trilogy. Among Us is a book series which delves into the world of the supernatural and how it intersects with the everyday lives of seemingly ordinary young people as catastrophic events on earth lead to the end of times. Among Us weaves the theme of a young man and woman, who while not fully understanding their 'abilities', are drawn together in their desire to find out the truth about the world they live in which is similar to themes used in J.J. Abrams' TV shows Fringe and Lost.
What readers have to say...
As a big fan of the show Fringe, this book appealed to me tremendously. The writing was well done, and the way the "supernatural" forces were introduced was great.
A good, clean read for any age.
It was an excellent story that I'm sure both adult and teen urban fantasy fans will enjoy. You don't have to be a gamer or know one to identify with the characters. They're very well developed and definitely feel like people. I would definitely recommend it to a friend and I'm really looking forward to the second book.
...the novel is written in such a languid style, it moves on effortlessly and absorbs the reader into the story completely. Although the story itself revolves around the online gaming industry, one does not have to have an in depth knowledge as it is ably explained and discussed within the plot line.
OMGosh! I just finished reading "Doubt" INCREDIBLE! I couldn't put it down.
˃˃˃ >>> Depth and Substance mashed up with Fringe Science. Will entertain young and old alike.
This book is intended for mature young adults and new adults. Ages 16 to 45 +
˃˃˃ >>Inspired by real Truth Seekers Aaron Swartz and Harry Fear
The main character Harry Doubt was inspired by Aaron Swartz, internet prodigy and activist, co-founder of the Creative Commons and Reddit, and Harry Fear, journalist, documentary filmmaker and activist whose coverage of the conflict in the Middle East was seen on UStream by millions of viewers.

About Anne-Rae Vasquez

Anne-Rae Vasquez is a freelance journalist for Digital Journal.com, author, film maker and web design programmer.  Her latest novel, Doubt, is the the first book in the Among Us Trilogy series.  Her other works include: the novel and screenplay for the award winning feature film and web series Almost a Turkish Soap Opera, Salha’s Secrets to Middle Eastern Cooking Cookbook Volume 1, Gathering Dust – a collection of poems, and Teach Yourself Great Web Design in a Week, published by Sams.net (a division of Macmillan Publishing). Almost a Turkish Soap Opera was her feature screenplay and film directorial debut. Anne-Rae Vasquez is available for interview.
Buy Now @ Amazon
Genre - Young Adult, Paranormal, Science Fiction, Thriller
Rating – G
More details about the author
Connect with Anne-Rae Vasquez on Facebook & Twitter

PR Contact Details

J. Suarez c/o AR Publishing 7360 137 Street #517 Surrey, BC Canada  V3W 1A3 +16046085747
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